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Marey, Etienne-Jules.
London : William Heinemann, 1895.
Exemplaire numérisé : BIU Santé (Paris)
Nombre de pages : 339
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 [sans numérotation]  Heinnemann'Scientific Handbooks
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 v  Translator's note
 vi  
 vii  [Préface]
 viii  
 ix  Contents
 x  
 xi  
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 xiii  
 xiv  
 xv  
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 1  Chapter I. Time. Its graphic record; time-measurement by means of photography
 2  
Image : Fig. 1. Scale of hours. Time measurement
 3  
 4  
 5  
Image : Fig. 2. Arrangement designed for transmitting a mouvement to the needle, which records the duration and the phases
 6  
Image : Fig. 3. Shoe for indicating when a man's foot comes in contact with the ground
 7  
Image : Fig. 4. Pedestrian furnished with special shoes and carrying a chronographic apparatus
 8  
Image : Fig. 5. Chronographic record of the periods of contact of the feet of a man executing various paces / Fig. 6. special apparatus for recording the contacts of a horse's feet with the ground
 9  
Image : Fig. 7. Horse at a full trot
 10  
 11  
Image : Fig. 8. Three records of the paces of a horse : amble, walk, and trot
 12  
Image : Fig. 9. Triple-beat gallop
 13  
Image : Fig. 10. Record of two airs played on the keyboard of a harmonium
 14  
 15  
Image : Fig. 11. Needle spinning round the chronometric dial, and measuring the duration of exposure
 16  
 17  
Image : Fig. 12. Successive positions of the needle on the chronometric dial, measuring the intervals of time separating the successive exposures
 18  Chapter II. Space. Its measurement and reprsentation by photography
 19  
 20  
 21  
Image : Fig. 13. Trajectory of the tip of a crow's wing
 22  
 23  
Image : Fig. 14. Stereoscopic trajectory of a brillant point placed at the level of the lumbar vertebrae of a man walking away from the photographic camera
 24  
 25  
 26  
Image : Fig. 15. Cylinder engendered by the displacement of a white thread moving round a central axis / Fig. 16 Hyberboloid by revolution: a single web engendered by the revolution of a thred set obliquely to the axis
 27  
Image : Fig. 17. Hyperboloid by revolution with its asymptotic cone/ Fig. 18. Conoid engendered by the movement of a white thread/ Fig. 19. Sphere engendered by the rotation of a semi-annular white thread
 28  
Image : Fig. 20. Sphere engendered by the rotation of a semi-annular thread/ Fig. 21. Hyperboloid and its asymptotic cone
 29  
Image : Fig. 22. Sphere engendered by the rotation of a semi-annular band, white on the outer surface and black on the inner side
 30  
 31  
Image : Fig. 23. Sphere engendered by a semi-annular band, white on both surfaces
 32  
Image : Fig. 24. Paradoxical appearance of a sphere engendered by the rotation of a brilliant metallic thread
 33  Chapter III. Movement. Its measurement, graphic representation, and analysis by means of chronophotography
 34  
 35  
Image : Fig. 25. Graphic representation of a uniform movement
 36  
 37  
Image : Fig. 26. Chart to express the movements of trains along a railway
 38  
 39  
Image : Fig. 27. Successives sections of the curve of a movement
 40  
 41  
Image : Fig. 28. Enlarged tracings of the pulse in different diseases
 42  
Image : Fig. 29. Proportional reduction of a movement by means of an india rubber thread
 43  
Image : Fig. 30. Pedestrian pushing an odograph in front of him
 44  
Image : Fig. 31. Details of the odograph
 45  
Image : Fig. 32. The instrument is seen obliquely from behind
 46  
 47  
Image : Fig. 33. Two odographic charts expressing, according to different scales, the advance of a fast train
 48  
 49  
 50  
 51  
Image : Fig; 34. Photography of the movement of a falling body
 52  
Image : Fig. 35. Curves of the movement of a failling body
 53  
 54  Chapter IV. Chronophotography on fixed plates
 55  
Image : Fig. 36. Simple trajectory and chronophotographic trajectory of a bright ball moving in front of a dark background
 56  
 57  
Image : Fig. 37. A man walking. Chronophotography on a fixed plate
 58  
Image : Fig. 38. Arab horse at a gallop/ Fig. 39. A man running. Chronophotography on a fixed plate
 59  
Image : Fig. 40. A boxer represented in the two extreme positions of a movement
 60  
Image : Fig; 41. Man dressed in black, with white lines and points for the chronophotographic study of the movement of the important parts of the body
 61  
Image : Fig. 42. Images of runner reduced to a system of bright lines for representing the position of this limbs
 62  
 63  
Image : Fig. 43. Alternating images for multiplying the number of positions afforded by chronophotography
 64  
 65  
Image : Fig. 44. Rotating mirror for separating the images of an object which moves too slowly
 66  
 67  Chapter V. Description of the apparatus
 68  
Image : Fig. 45. Arrangement of an apparatus adapted for all the purposes of chronophotography
 69  
Image : Fig. 46. Objective mounted in a sliding box/ Fig. 47. Frame with ground glass for focussing in chronophotography on fixed plated
 70  
Image : Fig. 48. Dark slide for negative
 71  
 72  
Image : Fig. 49. Arrangement of the dark background at the Physiological Station
 73  
 74  
 75  
Image : Fig. 50. Dark background for the study of movements occurring in liquids
 76  
Image : Fig. 51. Arrangement of the experiment for studying movements in liquids
 77  
Image : Fig. 52. Arrangement employed by Messrs. Demeny and Quénu for studying abnormalities in walking
 78  
 79  
Image : Fig. 53. Extent of the movements of the legs obtained by Messrs. Demeny and Quénu in a dark room
 80  
 81  
Image : Fig. 54. Changes which occur in the perspective of a moving animal according to the distance off at which the photographic apparatus is placed
 82  
 83  
 84  Chapter VI. Applications of chronophotography to mechanics
 85  
 86  
Image : Fig. 55. The successive positions of a projectile in respect to two axes, one vertical, the other horizontal/ Fig. 56. Stick thrown horizontally with a rotatory movement in a vertical plane
 87  
Image : Fig. 57. Movement of a system of two balls bound together by a string/ Fig. 58. Trajectory of a projectile in respect to two axes
 88  
 89  
Image : Fig. 59. Chronophotographic trajectory of a flying apparatus describing asinuous curve in the air
 90  
 91  
 92  
 93  
Image : Fig. 60. Chopping waves of very short period/ Fig. 61. Advancing wave
 94  
Image : Fig. 62. Molecular movements within a simple chopping wave/ Fig. 63. Molecular movements within a series of chopping waves of short period
 95  
 96  
Image : Fig. 64. Changes in velocity and in direction which occur in the liquid molecules of a current which meets an inclined plane/ Fig. 65. effects produced on a current by the immersion of a solid rectangular box
 97  
Image : Fig. 66. A current meeting a pisciform body at its thick end/ Fig. 67. A current meeting a pisciform body at its small end
 98  
Image : Fig. 68. Fluid wave surmounting an obstacle
 99  
Image : Fig. 69. Jointed pendulum
 100  
Image : Fig. 70. Vibrations of an elastic and wooden rod
 101  
 102  
 103  Chapter VII. Chronophotography on moving plates. Principes and history of the method
 104  
Image : Fig. 71. Facsimile of the print of a photographic plate obtained with the astronomical revolver of the transit of the planet Venus across the sun, Dec. 8, 1874
 105  
 106  
Image : Fig. 72. Field of operations arranged by Mr. Muybridge
 107  
Image : Fig. 73. Six successive photographs of a horse at a walking pace
 108  
 109  
Image : Fig. 74. The photographic gun
 110  
 111  
Image : Fig. 75. External appearance of the photographic gun
 112  
Image : Fig. 76. Details of the interior of the photographic gun
 113  
Image : Fig. 77. Special box holding the photographic plates
 114  
Image : Fig. 78. Photograph of a gull during flight
 115  
Image : Fig. 79. Enlargement of one of the photographs obtained with the photographic gun
 116  
Image : Fig. 80. Internal structure of the photographic chamber
 117  
Image : Fig. 81. Admission shutter which is substituted for the dark slide when working with a roll of film/ Fig. 82. Two metal bobbins for carrying the sensitized film
 118  
Image : Fig. 83. Showing how the film is lengthened at its two extremities by the opaque bands of paper
 119  
Image : Fig. 84. Supply bobbin ready charged
 120  
 121  
Image : Fig. 85. Two successive photographs taken on a sensitized film
 122  
Image : Fig. 86. Sword-stroke
 123  
 124  
Image : Fig. 87. Series of photographs to show the successive phases of the movement of a wave
 125  
 126  Chapter VIII. Human movements from the point of view of kinetics
 127  
 128  
 129  
Image : Fig. 88. Arrangement of the odograph and of the track at the physiological station
 130  
 131  
Image : Fig. 89. Chart of the fixed odograph to show paces of different velocity
 132  
Image : Fig. 90. Curves to show the rate and length of the stride
 133  
 134  
Image : Fig. 91. The trajectory of the pubis of a man at a walking pace
 135  
 136  
Image : Fig. 92. Successive phases of a long-jump
 137  
 138  
Image : Fig. 93. Successive phases of a pole-jump
 139  
 140  
Image : Fig. 94. Incomplete photographs, namely, bright lines on dark-coloured clothing, are received on the fixed plate
 141  
Image : Fig. 95. Fencing
 142  
Image : Fig. 96. Jump from a height with flexion of the legs to break the fall
 143  
Image : Fig. 97. Jump from a height with stiffened legs
 144  
Image : Fig. 98. Oscillations of the leg in running
 145  
 146  Chapter IX. Certain movements in man from the point of view of dynamics
 147  
 148  
Image : Fig. 99. Traction dynamograph
 149  
Image : Fig. 100. Dynamographic platform for giving a curve of foot-pressure on the ground
 150  
 151  
Image : Fig. 101. Method of simultaneously recording the foot-pressure on the ground and the changes in elevation of the body during a jump
 152  
Image : Fig. 102. Superior curves: changes of height in the head during the jump. Inferior curves: pressure exercised by the feet on the ground
 153  
 154  
Image : Fig. 103. Geometrical chronograph of yhe movements of the leg in wlking, during the period that the foot is in contact with the ground/ Fig. 104. Dynamographic tracing to express the phases of pressure by the foot on the ground in walking
 155  
Image : Fig. 105. Geometrical chronophotograph of the movements executed in taking a high-jump
 156  
 157  
Image : Fig. 106. Geometrical chronophotograph of a man's movements when walking
 158  
Image : Fig. 107. Vertical oscillations of the head when walking
 159  
 160  
 161  
 162  
 163  
 164  
Image : Fig. 108. Variations in the vertical oscillations of the body in walking and in running
 165  
Image : Fig. 109. Curves of the different elements of the work performed in walking and running
 166  
 167  
 168  
 169  Chapter X. Locomotion is man from an artistic point of view
 170  
Image : Fig. 110. Ocydromes or swift-runners (from a Greek vase)
 171  
Image : Fig. 111. Instantaneous photograph of a runner
 172  
Image : Fig. 112. A man walking; successive positions afforded by chronophotography on fixed plates
 173  
Image : Fig. 113. Chronophotographic illustration of a runner
 174  
Image : Fig. 114. Flexion of an arm/ Fig. 115. Extension of an arm/ Fig. 116. Alternating movements of flexion and extension/ Fig. 117. Single movement of forcible extension
 175  
Image : Fig. 118. Chronophotograph of a runner taken from above
 176  
Image : Fig. 119. Statuette made from chronophotographs
 177  
 178  
Image : Fig. 120. A sword thrust
 179  
 180  
 181  
Image : Fig. 121. Successive attitudes of a Greek dance, the influence of the movement on the fall of the draperies
 182  
 183  
 184  
Image : Fig. 122. Imitation of the attitudes of a Greek dance, and of the fall of the drapery
 185  
 186  Chapter XI. Locomotion of quadrupeds
 187  
 188  
Image : Fig. 123. Synoptic chart of a horse's paces according to different authorities
 189  
Image : Fig. 124. Transition from walking to trotting/ Fig. 125. Transition from trotting to walking/ Fig. 126. Transition from trotting to gallop (three time)
 190  
Image : Fig. 127. Transition from a gallop (three time) to a trot
 191  
Image : Fig. 128. Table of the track of a horse performing different paces
 192  
 193  
Image : Fig. 129. Representation of a walking horse, designed from a chronographic chart and from the footprints
 194  
Image : Fig. 130. Table of the attitudes of a horse, designed by Col. Duhousset from chronographic charts
 195  
Image : Fig. 131. Horse walking
 196  
 197  
Image : Fig. 132. Table of the attitudes of a horse from instantaneous photographs by Muybridge
 198  
Image : Fig. 133. Horse walking (enlarged)
 199  
Image : Fig. 134. Horse walking (enlarged)
 200  
Image : Fig. 135. Horse at a canter. The series must be read from below apwards
 201  
Image : Fig. 136. Transition from trot to gallop
 202  
Image : Fig. 137. Changing step in a gallop
 203  
Image : Fig. 138. Assyrian bas-relief. Horse at an amble / Fig. 139. Egyptian bas-relief (Medynet-Abou). Two harnessed horses moving at an amble
 204  
Image : Fig. 140. Assyrian bas-relief (Ninive) horse walking/ Fig. 141. Bas-relief on brunt clay Volscian period (Velletri). Three harnessed horses walking
 205  
Image : Fig. 142. Cavalier at walking pace (Trajan's column)/ Fig. 143. Mule walking (Trajan's column)
 206  
Image : Fig. 144. The horse of Death, by Albert durer. The horse is at a slow trot / Fig. 145. Statue of Henry IV on the Pont-Neuf. Horse at a trot
 207  
Image : Fig. 146. Frieze at the Parthenon. Horse at a canter
 208  
Image : Fig. 147. Horse prepared for experiments with geometrical chronophotographs
 209  
Image : Fig. 148. Diagram of the movements of the right anterior and posterior limbs of a horse at a walking pace
 210  
 211  Chapter XII. Locomotion in water
 212  
 213  
Image : Fig. 149. Arrangement of the marine aquarium for studying locomotion in water
 214  
 215  
Image : Fig. 150. Movements of the bell of a medusa
 216  
Image : Fig. 151. Comatula executing movements at the bottom of the aquarium
 217  
Image : Fig. 152. Eel moving in a horizontal plane
 218  
 219  
Image : Fig. 153. The skate. Method of fixing tha animal when observing the movements of its fins
 220  
Image : Fig. 154. Undulations of the fins of a skate, viewed from the side
 221  
Image : Fig. 155. Undulations of the fins of a skate, viewed from in front
 222  
Image : Fig. 156. Sea-horse, showing the successive and ascending phases of the undulations of the dorsal fin as the animal descends through the water
 223  
 224  
Image : Fig. 157. Phases of the movements of a star-fish in turning itself over
 225  
Image : Fig. 158. Movement of the appendages of a shrimp
 226  Chapter XIII. Aerial locomotion. The flight of birds
 227  
 228  
 229  
Image : Fig. 159.Myographic record of the pectoral muscles of a bird in flight
 230  
Image : Fig. 160. Myographic curves taken from different birds in flight
 231  
Image : Fig. 161. Chronophotographic illustration of a gull during flight/ Fig. 162. Flight of a duck
 232  
 233  
Image : Fig. 163. Flight of a heron. A metre scale in the lower part of the illustration makes it possible to estimate the rapidity of flight
 234  
Image : Fig. 164. Flight of a pigeon. The photograph is taken from above
 235  
Image : Fig. 165. From a photograph of a pigeon taken in front of a dark background
 236  
Image : Fig. 166. Arrangement of the three dark backgrounds and the three cameras for simultaneous photography of a flying bird, as seen from three points of view
 237  
Image : Fig. 167. Three series of images to demonstrate the corresponding positions of the bird, when taken from three different points of view
 238  
 239  Chapter XIV. Aerial locomotion. The flight of insects
 240  
Image : Fig. 168. The two top lines are produced by the contacts of a drone's wing on a smoked cylinder
 241  
 242  
Image : Fig. 169. Movements of the wing of macroglossus of cheese rennet on the surface of a smoked cylinder
 243  
Image : Fig. 170. Appearance of a wap flying in the sun/ Fig. 171. The trajectory of the anterior and posterior border of the wing of an insect during half an oscillation
 244  
Image : Fig. 172. Trajectory of the anterior order of the wing during a complete oscillation (Marey)
 245  
Image : Fig. 173. Experiment to test the direction of movement of an insect's wing
 246  
 247  
 248  
Image : Fig. 174. Insect flying round and round in front of a dark background
 249  
Image : Fig. 175. Photographic trajectory of the wing of a dragon-fly
 250  
Image : Fig. 176. Schematic arrangement for illuminating insects when studying their flight
 251  
Image : Fig. 177. Chronophotographic apparatus arranged for studying the natural flight of insects
 252  
Image : Fig. 178. Fly crawling on a window-pane before taking to flight
 253  
Image : Fig. 179. Bee flying about in the chamber of the apparatus
 254  
 255  
Image : Fig. 180. Illustration to show two Tipulae : one of them remaining motionless on the glass, and the other moving its limbs in different directions, and setting its body at various inclinations
 256  
Image : Fig. 181. Tipula in the act of flying, showing the various attitudes of the wings and the position of the balancers
 257  
 258  Chapter XV. Comparative locomotion
 259  
 260  
Image : Fig. 182. Movements of a man's leg in executing a step/ Fig. 183. Movements of the various segments of a horse's hind leg in executing a step
 261  
Image : Fig. 184. Movements of an elephant's hind leg in executing a step
 262  
 263  
 264  
Image : Fig. 185. Quadrupedal movements of a fresh-water tortoise in swimming to the surface
 265  
Image : Fig. 186. Grey lizard/ Fig. 187. Gecko
 266  
Image : Fig. 188. Locomotion of batrachians at different periods of development
 267  
Image : Fig. 189. Land-snake in motion
 268  
 269  
Image : Fig. 190. Eel swimming
 270  
Image : Fig. 191. Dog-fish swimming
 271  
Image : Fig. 192. Beetle walking/ Fig. 193. The walk of an orthopterous insect
 272  
Image : Fig. 194. The walk of a spider
 273  
Image : Fig. 195. The walk of a scorpion
 274  
 275  Chapter XVI. Applications of chronophotography to experimental physiology
 276  
 277  
 278  
 279  
Image : Fig. 196. Heart of a tortoise under conditions of artificial circulation
 280  
 281  
Image : Fig. 197. Seven successive photographs of a tortoise's heart with artificial circulation
 282  
 283  
Image : Fig. 198. [Variations in shape and capacity of the auricles and ventricles during a cardiac cycle]
 284  
 285  
 286  
Image : Fig. 199. Experiment for showing by chronophotography the mechanism of cardiac pulsation
 287  
 288  
 289  
 290  
 291  Chapter XVII. Microscopic chronophotography
 292  
 293  
 294  
 295  
Image : Fig. 200. Special apparatus adapted to chronophotography for studying the movements of microscopic speciments
 296  
 297  
 298  
Image : Fig. 201. Showing the movements of some vorticellae and this retraction of their spiral stalks
 299  
 300  
 301  
 302  
 303  
 304  Chapter XVIII. Synthetic reconstruction of the elements of an analysed movement
 305  
 306  
Image : Fig. 202. Disc of phenakistoscope, showing the different phases of movement of a gull's wing
 307  
 308  
 309  
 310  
 311  
Image : Fig. 203. Zootrope, with figures of a gull in relief, and in the successive attitudes of flight
 312  
 313  
 314  
 315  
Image : Fig. 204. Demeny's photophone
 316  
 317  
 318  
 319  Index. A - C
 320  C - G
 321  G - O
 322  O - V
 323  V - Z